People, Hell & Angels showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock’s largest grossing concert act and simultaneously placed two of his albums in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.
These twelve recordings encompass a variety of unique sounds and styles incorporating many of the elements—horns, keyboards, percussion and second guitar—Jimi wanted to incorporate within his new music. People, Hell & Angels presents some of the finest Jimi Hendrix guitar work ever issued and provides a compelling window into his growth as a songwriter, musician and producer.
People, Hell & Angels will be available Tuesday, March 5, 2013.
With an album title coined by Jimi Hendrix, People, Hell & Angels reveals some of Hendrix’s post-Experience ambitions and directions as he worked with new musicians–including the Buffalo Springfield’s Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B ‘chitlin circuit’ together) and others–creating fresh and exciting sounds for the next chapter in his extraordinary career.
People, Hell & Angels is co-produced by Janie Hendrix, Eddie Kramer and John McDermott. Kramer first met Hendrix at Olympic Studios in London in January 1967. Hendrix, who would have turned 70 on November 27 this year, developed a unique rapport with Kramer. As a result, Kramer engineered every album issued by the guitarist in his lifetime and recorded such famous Hendrix concerts as the Woodstock festival in August 1969. Since 1997, Kramer has teamed with Janie Hendrix and John McDermott to oversee the release of each Jimi Hendrix album issued by Experience Hendrix.
The dozen previously unreleased Jimi Hendrix performances premiering on People, Hell & Angels include “Earth Blues,” “Somewhere,” “Hear My Train A Comin’,” “Bleeding Heart,” “Baby Let Me Move You,” “Izabella,” “Easy Blues,” “Crash Landing,” “Inside Out,” “Hey Gypsy Boy,” “Mojo Man” and “Villanova Junction Blues.”
A musical companion piece and successor to 2010’s Valleys Of Neptune, the critically acclaimed album showcasing the artist’s final recordings with the original Jimi Hendrix Experience, People, Hell & Angels offers tantalizing new clues as to the direction Hendrix was considering for First Rays of The New Rising Sun, his planned double album sequel to 1968’s groundbreaking Electric Ladyland.
Unlike contemporaries such as the Beatles or Bob Dylan, Jimi Hendrix owned his songs and master recordings. He did not have to record his music at recording studios owned and operated by his record company. Hendrix spent countless hours recording his new music at new, independent music studios such as New York’s Record Plant and the Hit Factory. Hendrix was so focused on recording his music that, concurrent with nearly all of the sessions featured as part of People, Hell & Angels, he was underwriting the construction of his own recording facility–the state of the art Electric Lady Studios in Greenwich Village.
