The LOST Creators Explain How They Did It And What’s Going On

In 2004, ABC called on producer J.J. Abrams to create a prime-time drama that capitalized on the success of Survivor something tropical, Cast Away-ish, and closer to Lord of the Flies than Gilligan’s Island. Oh, they asked, and could you make it a towering, mainstream megahit, please? What executives got from the guy best known for a brainy college soap (Felicity) and an even brainier spy soap (Alias) was LOST, a fiendishly obscure, cast-of-thousands epic about … well … to say it’s about people on a magic island is selling it short. To say it’s about Everything — which its adherents swear it is — is a bit grandiose. So let’s just say it’s about destiny. And metaphysics. And quantum physics. And leadership, torture, time travel, synchronicity, Skinner boxes, geodesic domes, polar bears, doomsday equations, comic books, the Casimir effect, and the no-less-potent Cass Elliot effect. It was weird. Even weirder: It was a hit. A towering, mainstream megahit. You’d think a show like this could happen only in some alternate television universe. Maybe so. Maybe for the past six years we’ve been living in that universe. That would be so LOST.

When LOST leaves the airwaves on May 23rd, its creators have pledged never to speak of it again. It’s for the best. That’s why Wired Magazine is stopping time and making that fidgety, spatiotemporally promiscuous island sit still long enough them to pay tribute to its mysteries.

Read more HERE.

Published by Larry Fire

I write an eclectic pop culture blog called THE FIRE WIRE that features articles about books, comics, music, movies, television, gadgets, posters, toys & more!

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