The Goon Coming To The Big Screen

 

Dark Horse Entertainment, David Fincher and animation house Blur Studios are teaming up to bring cult comic The Goon to the big screen as a CG-animated film. Created by Eric Powell in 1999, the comic follows the adventures of a muscle-bound brawler who claims to be the primary enforcer for a feared mobster. The stories have a paranormal and comedic edge to them and concern ghosts, zombies, mad scientists and “skunk apes.”

Powell, who broke the news Wednesday on his website, would write the screenplay for “Goon,” and Fincher would produce. No studio is yet attached, and deals are being negotiated. Dark Horse, which has a first-look deal with Universal, is aiming to develop the project in-house before setting it up. (From ComingSoon.net)

Original Comic Book Art Appreciates

Comic-book collectors like their numbers. They know that the first issue of X-Men, which introduced Marvel’s mutant superheroes, was published in 1963 and had a cover price of 12 cents. They also know that today a copy of that issue, in near mint condition, is worth $16,500. (Parents, take note.)

And while the market for back issues is well established, more and more collectors are turning their attention to the hand-drawn covers and interior pages that make up a comic book. This original art has become the focus of auctions with sale prices in the five and six figures. It’s a surprising turn of events for work that in the early days of the industry was considered so unimportant that it was used to sop up ink or spilled coffee, given away to fans or even destroyed outright.

The art eventually stopped being discarded, and in the 1970s it generally became policy to return the covers and pages to the artists, many of whom began selling it to fans and collectors, who are hungry for it.

Last month the cover of Weird Science No. 16, from 1952, drawn by Wally Wood, sold for $200,000. In February, an inside black-and-white page from the 1963 X-Men No. 1, by the influential Jack Kirby, sold for $33,460. Late last year, two color paintings by Alex Ross, used as covers for a recent Justice League story, were sold by his art dealer for $45,000 and $50,000.

In 2005, an auction for the black-and-white cover of Batman No. 11, from 1942, by Fred Ray and Jerry Robinson, closed at $195,500.

The sales reflect the range of what entices collectors: from the wide-ranging work of Kirby, the “King of Comics,” to rarities like the early Batman cover to lavishly painted depictions of classic superheroes by the critically acclaimed Ross.

“From the ’60s and the ’70s, when these markets were just beginning, it’s been shocking,” said Jerry Weist, 58, author of “The Comic Art Price Guide.” “And to the old-timers, we can hardly believe it. We felt vindicated when we started to see covers sell for five, six or seven thousand dollars in the ’70s. Now it’s gone beyond that. I’m pretty much priced out of the field.”

Collectors of original comic-book art sound like a subculture within a subculture, and that’s fine with many aficionados. “There was a thrill in finding something nerdier than collecting comics,” said David Mandel, 37, an executive producer of the HBO series “Curb Your Enthusiasm,” who first bought original art during a visit to the San Diego Comic-Con in 1995.

Mandel has pieces that would make many fans drool, like the cover, by Gil Kane and Dave Cockrum, of Giant-Size X-Men from 1975, which trumpeted Wolverine, Storm and others as the new incarnation of the mutant team, and the 1982 cover of Daredevil No. 181, by Frank Miller, depicting the death of Elektra, the title hero’s girlfriend. His collection also includes the last four pages from “The Killing Joke,” a seminal 1988 story that helped usher in a new level of maturity for comic books.

That Batman tale chronicles a possible origin for the hero’s nemesis, and was written by Alan Moore and illustrated by Brian Bolland. In November, the last page of the story became available at Heritage Auction Galleries in Dallas. Mandel landed it for more than $31,000.

“The story ends with them laughing, taking a moment in their relationship to laugh,” Mandel said. “As a reader and as a comedy writer, it resonated.”

More so than with comic books – where multiple copies of even the most sought-after issue exist – the original art they are produced from satisfies a collector’s desire for the exclusive.

“If I have the original hand-drawn cover to, say, an issue of X-Men, that’s the only hand-drawn cover to that issue of X-Men,” Mandel said. “It’s one of a kind. Anyone who has a collecting gene can respond to that.”

The value of any original comic-book art begins with its creator.

“If it is Superman drawn by Curt Swan, it’s worth a lot more than Superman drawn by Joe Schmo,” said Joe Mannarino, who owns Comic Art Appraisal and All Star Auctions in Ridgewood, New Jersey, with his wife, Nadia.

Swan, who died in 1996, drew Superman regularly from the 1950s through the 1980s. The value of a page of his art is also contingent on what is depicted (Superman in action or supporting characters talking?) and whether the issue is significant. (First appearances and important stories are more valuable than routine adventures.)

An attempt to recapture the collector’s childhood comes into play, too.

“An awful amount of the money being spent is certainly connected to the baby-boom generation and their sense of nostalgia,” said Weist, the price-guide author.

Nostalgia is certainly something Ross, 38, is familiar with. His first major comic-book project was in 1994, for Marvel, and it retold the early days of the Marvel universe of heroes through the eyes of a photojournalist.

His reputation for photorealistic renderings of superheroes was cemented two years later by Kingdom Come, a lavishly painted comic that envisioned a future DC universe where irresponsible superheroes run rampant. The project pushed prices for his original art from hundreds to thousands of dollars a page.

“Images of DC and Marvel characters are the best sellers, bar none,” said Ross, who sells many pieces at alexrossart.com. “It’s also what I enjoy to illustrate the most. It’s what the buyers of similar backgrounds as myself want. They want the thing they grew up with.” (Reprinted from the International Herald Tribune)

The Origins of Ten of Your Favorite Muppets

I, like a lot of you, grew up on Sesame Street and the Muppets. But do you ever stop to wonder where they came from? Some of the characters we know and love today were recycled from other T.V. shows and commercials Jim Henson worked on and others were invented by using whatever materials were around. Be prepared for a little nostalgia and don’t be offended if I left out some of your favorites (I know, Big Bird?!) – not all of the characters have interesting background stories. Read more here.  (From Mental Floss)

 

$100,000 for a bike?

Tom Mault bought this bike for $350 and later found out that it was a wise purchase: the bike is a 1963 Schwinn Sting-Ray bike, one of the first of its kind off the line.

And Schwinn collectors have offered him up to $100,000 for the “rare piece of American history” – Tom, however, had another idea:

Bike collectors from London to Japan “flipped out,” Mault says. By 6 p.m. Thursday, his online posting had been viewed almost 1,900 times, and people had offered him between $2,000 and $100,000 for the bike.

The catch, he says: It’s not for sale.

Mault, who owns roofing company Tidewater Exteriors in Hampton, says he would rather donate the Sting-Ray — one of the hottest American icons of the 1960s and ’70s — to the Smithsonian Institution in Washington.  (Reprinted from Neatorama)

Just Released: One Million Things: A Visual Encyclopedia

This just released 304 page hardcover book is a stunning, comprehensive visual encyclopedia featuring gorgeous photography that not only illustrates, but educates. This encyclopedia is driven by its striking imagery that brings more than one million things to light.

 

Rather than string together multiple photos of objects, the Visual Encyclopedia features sweeping single-shots that encompass a multitude of objects creating a seamless and striking presentation.

A truly unique take on reference books, “One Million Things” also sports a detailed glossary to help people find what they’re looking for, whether it is an ice sculpture to illustrate states of matter or pop art movie posters to describe various types of film. Certainly sure to be as popular with adults as with kids, “One Million Things” is a must-have for every household and classroom.

The book retails for $24.99 and can be ordered here.

Stephen King’s The Stand Sketchbook and Sketchbook Variant Covers

Today both The Stand Sketchbook and Sketchbook Variant will be in comic book stores. This provides your first look at September’s landmark release adapting Stephen King’s seminal novel. The covers are below.

 

 

 The Stand Sketchbook Cover

 

The Stand Sketchbook Variant Cover

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